铜雕,铜雕厂,铸铜雕塑厂,铜雕厂家

香炉雕塑的起源可以追溯到商代时期的鼎，随着雕塑工艺的发展，逐渐出现了我们现在所熟知的香炉雕塑。香炉雕塑早期是以铜为材质，铜香炉历史悠久，在古代可做焚香、熏衣之用，在佛教传入我国开始，铜香炉雕塑开始盛行于各大寺院庙宇，普遍应用到了烧香、拜佛、祭祀等场所，而且在历史各个时期都有不同的造型特色，今天就来看看元明清时代的香炉雕塑具备怎样的特点呢？

The origin of censer sculpture can be traced back to the ding of the Shang Dynasty. With the development of sculpture technology, the censer sculpture that we are now familiar with gradually emerged. In the early days, the incense burner sculpture was made of copper, which has a long history and can be used for burning incense and smoking clothes in ancient times. Since Buddhism was introduced into China, the bronze incense burner sculpture began to be popular in temples and temples, widely used in places such as burning incense, worshiping Buddha and sacrificial rites, and has different modeling characteristics in different periods of history. Today, we can see that the incense burner sculpture in the yuan, Ming and Qing Dynasties has What are the characteristics?

在元代时期，香炉雕塑的数量与种类已经很多，其中以小型的香炉雕塑为主，在造型上以三足圆炉、阁式炉为多见，在明代，香炉雕塑在造型上更为丰富，以象耳炉、筒炉、戟耳炉等为主，除部分造型及釉色秉承宋元之风外，大多数香炉雕塑以青花瓷为主，更侧重于图案装饰，比如明嘉靖年间的青花铜香炉，色彩斑斓，繁盛一时，在清代入主中原后，香炉雕塑更是得到了空前发展，尤其乾隆年间的青釉双耳三足炉，做工精细，釉色肥厚，质感柔和，光润洁净，双耳自然连结，高雅之中不失秀逸。

In the Yuan Dynasty, there were many kinds of incense burner sculptures, among which small-scale incense burner sculptures were the main ones, tripod round furnaces and pavilion furnaces were the most common ones. In the Ming Dynasty, incense burner sculptures were more abundant in modeling, such as ear shaped furnaces, tube furnaces, halberd ear furnaces, etc. Most incense burner sculptures were mainly blue and white porcelain, with more emphasis on blue and white porcelain, except for the part of modeling and glaze color adhering to the wind of song and Yuan Dynasty In pattern decoration, such as the blue and white copper censer in Jiajing period of the Ming Dynasty, it was colorful and prosperous for a while. After the Qing Dynasty came to the Central Plains, the sculpture of the censer has been developed unprecedentedly, especially the blue glazed double ear tripod stove in Qianlong period, with fine workmanship, thick glaze color, soft texture, smooth and clean, natural connection between the two ears, and elegance.

香炉雕塑历经时代发展，在各朝各代中都具有自己独特的艺术特点和价值，而发展至现代，香炉雕塑依然盛行于寺院庙宇、大众生活中，除了作为焚香器具外，还具有一定的收藏价值，而且现代工艺铸造的香炉雕塑，无论工艺还是外观造型，都发展到了极为成熟的阶段，独具特色的现代香炉雕塑更加具有时尚气息，更具有观赏性。

After the development of the times, the incense burner sculpture has its own unique artistic characteristics and value in each dynasty and each generation. However, it still prevails in temples, temples and public life. Apart from being an incense burner, it also has a certain collection value. Moreover, the incense burner sculpture cast by modern technology, regardless of its technology or appearance, has developed to a very mature one At this stage, the unique modern incense sculpture is more fashionable and ornamental.