铜雕,铜雕厂,铸铜雕塑厂,铜雕厂家

现代铜香炉本以仿古居多，虽然质地相同但是不同时代的能工巧匠们却把他们做成了作成种种形式。围绕香炉的自身意义在演变，大胆创新，造型新颖，比例协调大方，比起古代香炉，添加了一份活力，加浓了些色调，更加象征着国家的文化底蕴。现代铜香炉用途亦有多种，有熏衣铜香炉﹑或陈设铜香炉﹑或敬神供佛铜香炉。

Modern copper censers are mostly antique ones. Although they have the same texture, the craftsmen of different times have made them into various forms. Around the evolution of the significance of the incense burner itself, bold innovation, novel modeling, and generous proportion coordination, compared with the ancient incense burner, it adds a vitality, thickens some colors, and more represents the cultural heritage of the country. There are also many uses of modern copper censers, such as fumigating copper censers, furnishing copper censers, or worshiping God for Buddha.

高27厘米、炉口直径26厘米，炉身有款识，上款为“光绪癸卯年季冬榖旦”，正款为“德溥南天”，下款为“沐恩弟子宣光德和号袁铭初敬涭，粤东省城天平街天成店造”，材质为黄铜、兽头耳，炉身炉底连为一体。

It is 27cm high and 26cm in diameter. The furnace body is well-known. The first one is "goudan in the winter of guimao year of Guangxu", the first one is "Depu Nantian", the second one is "xuanguangde, a disciple of muen, and Yuan Mingchu, a disciple of muen, respect Yu, and Tiancheng shop, Tianping street, East Guangdong Province". It is made of brass, animal head ear and furnace bottom.

这件炉虽然只有一百年的历史，但是比起来同时期所造的炉来，从它的特征、整体用料、做工来看，这是那个时期的最高档的东西了。这个炉直观来讲，一个是它的个头比较大，它的用铜非常的讲究，就跟它的重量有关，这个炉是有30多斤重，非常的沉，所以说它用铜的质地非常好。再一个就是它这个炉，本身是仿照那个大明宣德炉的样式所做的，但是一般的炉都是座跟炉是分开的，这个是合在一起的，它那铸造的难度就加大了。再一个就是它那两个狮子的兽头，雕工刻的非常精致，非常的到家，整体感觉这件炉，它的线条非常的流畅，有一种非常古朴的一种感觉。

Although the furnace is only a hundred years old, compared with the furnace made in the same period, it is the most advanced thing in that period in terms of its characteristics, overall materials and workmanship. Intuitively speaking, this furnace is large in size, and its copper is very exquisite, which is related to its weight. This furnace weighs more than 30 jin, which is very heavy, so its copper quality is very good. Another is that this furnace itself is made after the pattern of the Ming Xuande furnace, but the general furnace is separated from the base and the furnace. This is combined, and the difficulty of casting is increased. Another is the head of its two lions. The carving is very delicate, very home. The whole feeling of this furnace is very smooth, with a very simple feeling.