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【香炉厂家】：香炉起源于何时，尚未有定论，赵希鹄《洞天清禄集·古钟鼎彝器辨》：“古以萧艾达神明而不焚香，故无香炉。今所谓香炉，皆以古人宗庙祭器为之。爵炉则古之爵，狻猊炉则古踽足豆，香球则古之鬵，其等不一，或有新铸而象古为之者。惟博山炉乃汉太子宫所用者，香炉之制始于此。”

[incense burner manufacturer]: the origin of incense burner has not been determined yet. Zhao Xihu's "Dongtian qingluji · ancient Zhongding Yi utensil differentiation": "in ancient times, there was no incense burner because of Xiao Aida's divinity rather than burning incense. Today the so-called incense burner is made of sacrificial vessels of the ancient ancestral temple. The Jue stove is the old one, the Suan dragon stove is the old one, and the fragrant ball is the old one. There are different kinds of them, or there are some new ones that look like the old ones. However, Boshan stove is used by the uterus of the Han and Tai dynasties. The making of incense burner starts here. "

东汉越窑褐釉香熏，它造型生动，质朴自然，不带托盘。这尊香熏由上下两部分构成，可以自由开启，上半部由三层含苞欲放的莲花瓣图案构成，每排莲花有十一瓣，抽象成三角形状，每个花瓣上刻有大小不等的花茎，十分清晰。盖顶饰有一精美的小鸟，亭亭玉立，眺望远方，下半部为圆柱形空心支柱。

In the Eastern Han Dynasty, Yue Kiln was fragrant with brown glaze, which was vivid, simple and natural without tray. This incense is composed of two parts, the top and the bottom, which can be opened freely. The top half is composed of three layers of budding lotus petals. Each row of lotus has eleven petals, which are abstracted into a triangle shape. Each petal is engraved with stems of different sizes, which is very clear. The top of the canopy is decorated with a beautiful bird, which stands in a graceful and graceful way, overlooking the distance. The lower part is a cylindrical hollow pillar.

晋代越窑青釉提炉，已同传统的香炉十分接近，也是三足鼎立，但有一造型优雅的把手，上面还有旋纹工，做工精巧，让人产生无限遐想。南北朝洪州窑香炉，釉色呈青黄色，为五只足，粗壮结实，稳稳地站立托盘上，完整无缺。

In a situation of tripartite confrontation, the simultaneous interpreting of the glaze and glaze of the Yue Kiln in the Jin Dynasty is very close to the traditional incense burner, but there is a graceful handle with a spin on it. Hongzhou kiln censer of the southern and Northern Dynasties, with blue and yellow glaze, is five feet, strong and solid, standing steadily on the tray, intact.

唐三彩香炉比较少见，露胎为粉红色，黄绿褐彩绘组合，釉自然往下流淌，五爪老虎足，显得沉稳雄健。

Tang Sancai incense burner is relatively rare. The exposed body is a combination of pink, yellow, green and brown color paintings. The glaze flows down naturally. The five clawed tiger foot looks steady and vigorous.

宋代贵族出身的赵氏皇帝文化素养极高，喜好复古，重视旧礼器。三足鼎式香炉是北宋复古的产物，由于先秦时期的青铜器、玉器和陶器的大量出土，元佑七年（公元1092年），宫廷专职文物保管员吕大临编撰《考古图》，所收铜器210件，玉器13件。从此文物鉴定与学术研究融合一起，这在宋以前是没有的，为后世文物研究开了先河，也为瓷器全面仿制先秦礼器奠定了基础。

The emperor Zhao, who was born in the Song Dynasty, had a high level of cultural attainment, liked to go back to the ancients and attached great importance to the old ritual vessels. Tripod incense burner is a product of the Northern Song Dynasty. Due to the large number of bronzes, jade and pottery unearthed in the pre Qin period, in the seventh year of Yuanyou (1092 A.D.), LV Dalin, a full-time palace cultural relics keeper, compiled the archaeological map, which collected 210 pieces of bronze and 13 pieces of jade. Since then, the integration of cultural relic identification and academic research, which was not available before the Song Dynasty, has opened the way for later cultural relic research and laid a foundation for porcelain to fully imitate the ritual vessels of the pre Qin period.

香炉出现在大宋帝王的内庭，而一些小型香炉则成为文人把玩之物，具有很高的艺术欣赏价值，为后世所仿制。宋耀州窑香炉，它是受到越窑的影响发展起来的，炉唇边较宽，釉色青润自然，有“巧如范金，精比琢玉”的美誉。南宋龙泉书房梅子青香炉，精巧典雅，三足鼎立，炉身有三条线纹，足底有褐色。

Censers appeared in the inner court of the emperor of the Song Dynasty, while some small censers became the objects for literati to play with, which had a high value of artistic appreciation and were imitated by later generations. The incense burner of song Yaozhou Kiln was developed under the influence of Yue Kiln. It has a wide lip, green and natural glaze color, and has the reputation of "skillful as Fan Jin, refined as jade". Longquan study plum green censer in the Southern Song Dynasty is exquisite and elegant. It has three lines and brown feet.